<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Greece: Talented, independent filmmakers? Rejected. Visionary projects? Ignored. But Our Wild Days? That got the golden ticket.	</title>
	<atom:link href="https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/feed/" rel="self" type="application/rss+xml" />
	<link>https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket</link>
	<description>Exposing the shell games of the film industry - we won&#039;t let them hide.</description>
	<lastBuildDate>Mon, 21 Jul 2025 13:29:04 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>
	<item>
		<title>
		By: Film Industry Watch		</title>
		<link>https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/#comment-237</link>

		<dc:creator><![CDATA[Film Industry Watch]]></dc:creator>
		<pubDate>Wed, 25 Jun 2025 13:17:49 +0000</pubDate>
		<guid isPermaLink="false">https://filmindustrywatch.org/?p=8903#comment-237</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/#comment-236&quot;&gt;Bobby Van de Kerkove&lt;/a&gt;.

RESPONSE:

Sources for the budget and the critic&#039;s reviews are listed in the article.

The producer’s gross in Greece is approximately €2.30 per ticket, from which the costs of DCPs and advertising must still be deducted. Furthermore, a substantial portion of the ticket price is retained by third parties: the exhibitor’s share (typically around 50%), the distributor’s commission, VAT, and other fees. It’s important to distinguish between total box office gross and the actual net revenue received by the producer per ticket.

In its opening week, VK’s film ranked well behind How to Train Your Dragon and Lilo &amp; Stitch. By the second week, it had dropped to No. 7 at the box office, continuing to trail significantly behind How to Train Your Dragon, Lilo &amp; Stitch, Mission: Impossible, and 28 Days Later. During its second week, the film sold just 5,000 tickets—approximately 20% fewer than in its debut week.]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/#comment-236">Bobby Van de Kerkove</a>.</p>
<p>RESPONSE:</p>
<p>Sources for the budget and the critic&#8217;s reviews are listed in the article.</p>
<p>The producer’s gross in Greece is approximately €2.30 per ticket, from which the costs of DCPs and advertising must still be deducted. Furthermore, a substantial portion of the ticket price is retained by third parties: the exhibitor’s share (typically around 50%), the distributor’s commission, VAT, and other fees. It’s important to distinguish between total box office gross and the actual net revenue received by the producer per ticket.</p>
<p>In its opening week, VK’s film ranked well behind How to Train Your Dragon and Lilo &#038; Stitch. By the second week, it had dropped to No. 7 at the box office, continuing to trail significantly behind How to Train Your Dragon, Lilo &#038; Stitch, Mission: Impossible, and 28 Days Later. During its second week, the film sold just 5,000 tickets—approximately 20% fewer than in its debut week.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Bobby Van de Kerkove		</title>
		<link>https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/#comment-236</link>

		<dc:creator><![CDATA[Bobby Van de Kerkove]]></dc:creator>
		<pubDate>Wed, 25 Jun 2025 10:27:24 +0000</pubDate>
		<guid isPermaLink="false">https://filmindustrywatch.org/?p=8903#comment-236</guid>

					<description><![CDATA[Funny that this site is using a contributor&#039;s pseudo saying that everything is true...
In this article only : 
Budget : incredibly wrong.
Box office analysis : so wrong (the film has a great admission per copy number, topping even American films, it is considered a big success in Greece)
Producer&#039;s gross : so wrong too.]]></description>
			<content:encoded><![CDATA[<p>Funny that this site is using a contributor&#8217;s pseudo saying that everything is true&#8230;<br />
In this article only :<br />
Budget : incredibly wrong.<br />
Box office analysis : so wrong (the film has a great admission per copy number, topping even American films, it is considered a big success in Greece)<br />
Producer&#8217;s gross : so wrong too.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Sundance kid		</title>
		<link>https://filmindustrywatch.org/talented-independent-filmmakers-rejected-visionary-projects-ignored-but-our-wild-days-that-got-the-golden-ticket/#comment-235</link>

		<dc:creator><![CDATA[Sundance kid]]></dc:creator>
		<pubDate>Tue, 24 Jun 2025 07:24:18 +0000</pubDate>
		<guid isPermaLink="false">https://filmindustrywatch.org/?p=8903#comment-235</guid>

					<description><![CDATA[As a film festival insider I can confirm that everything said on this website is true. But it really doesn&#039;t matter now, ai is going to destroy the film industry within two years, and all of us will be unemployed.]]></description>
			<content:encoded><![CDATA[<p>As a film festival insider I can confirm that everything said on this website is true. But it really doesn&#8217;t matter now, ai is going to destroy the film industry within two years, and all of us will be unemployed.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
