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		<title>Torino Film Lab &#8211; Family Ties and Favoritism during Matthieu Darras&#8217; tenure as the Artistic Director</title>
		<link>https://filmindustrywatch.org/torino-film-lab-family-ties-and-favoritism-during-matthieu-darras-tenure-as-the-artistic-director/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=torino-film-lab-family-ties-and-favoritism-during-matthieu-darras-tenure-as-the-artistic-director</link>
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		<dc:creator><![CDATA[Film Industry Watch]]></dc:creator>
		<pubDate>Fri, 05 Jan 2024 08:28:15 +0000</pubDate>
				<category><![CDATA[Alleged Conflict of Interest]]></category>
		<category><![CDATA[Community Posts]]></category>
		<category><![CDATA[Labs]]></category>
		<category><![CDATA[Torino]]></category>
		<category><![CDATA[Torino Film Lab]]></category>
		<guid isPermaLink="false">https://filmindustrywatch.org/?p=4895</guid>

					<description><![CDATA[<p>Through the valued contributions of our readers, Film Industry Watch has learned that during Matthieu Darras&#8217; tenure as the Artistic Director of the Torino Film Lab, his sister, Isabelle Collombat (formerly Isabelle Darras), participated in the lab&#8217;s initiatives on two separate occasions: 2014&#160;&#8211;&#160;Audience Design&#160;Workshop&#160;&#160;&#160;–&#160;&#160;TorinoFilmLab&#160;&#160;(Turin, Brignogan/Brittany) 2013&#160;&#160;&#8211; Adaptlab&#160;workshop&#160;&#160;&#160;with director-screenwriter Razvan Radulescu –&#160;&#160;TorinoFilmLab&#160;&#160;(Turin, Copenhagen, Lyon) These are [&#8230;]</p>
<p>The post <a href="https://filmindustrywatch.org/torino-film-lab-family-ties-and-favoritism-during-matthieu-darras-tenure-as-the-artistic-director/">Torino Film Lab – Family Ties and Favoritism during Matthieu Darras’ tenure as the Artistic Director</a> first appeared on <a href="https://filmindustrywatch.org">Film Industry Watch</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Through the valued contributions of our readers, Film Industry Watch has learned that during Matthieu Darras&#8217; tenure as the Artistic Director of the Torino Film Lab, his sister, Isabelle Collombat (formerly Isabelle Darras), participated in the lab&#8217;s initiatives on two separate occasions:</p>



<p><strong>2014&nbsp;</strong>&#8211;<strong>&nbsp;</strong>Audience Design&nbsp;Workshop&nbsp;&nbsp;&nbsp;–&nbsp;&nbsp;<span style="text-decoration: underline;"><strong>TorinoFilmLab&nbsp;</strong>&nbsp;</span>(Turin, Brignogan/Brittany)</p>



<p><strong>2013&nbsp;&nbsp;</strong>&#8211; Adaptlab&nbsp;workshop&nbsp;&nbsp;&nbsp;with director-screenwriter Razvan Radulescu –&nbsp;&nbsp;<span style="text-decoration: underline;"><strong>TorinoFilmLab&nbsp;</strong>&nbsp;</span>(Turin, Copenhagen, Lyon)</p>



<p>These are listed on Isabelle&#8217;s personal website which <a href="https://isabellecollombat.com/scenarios/">can be accessed here</a>.</p>



<p>Critics have raised concerns about the seemingly problematic nature of her being invited not once, but twice, to participate in the Labs programs, in an organization where her brother serves as the Artistic Director. The familial ties to Matthieu Darras inevitably cast doubt on the impartiality of her selection.</p>



<p>This case serves as a glaringly example, epitomizing the widespread issues prevalent throughout the film industry, particularly within the entire European film ecosystem, as <a href="https://filmindustrywatch.org/alleged-conflict-of-interest/" target="_blank" rel="noreferrer noopener">extensively documented in our numerous articles</a>, embodying nepotism, shamelessly, in its purest form. </p>



<p>Furthermore, reports suggest that Darras, in his capacity as Artistic Director at TFL, has reportedly been pursuing established producers, encouraging them to apply to TFL. Allegations indicate that he not only offered personal invitations but also provided preferential treatment by extending application deadlines. </p>



<p>This strategy was implemented to enhance the credibility of TFL and secure future public funding, at the expense of assisting young producers and directors who would benefit significantly more from the exposure provided by TFL than those already established producers and projects.</p>



<p>Film Industry Watch is keenly focused on the Torino Film Lab, which appears to have a recurring issue with favoritism within the European film landscape. This issue contributes to reinforcing established power centers and select individuals over merit, transparency, and genuine support of independent cinema, emerging talents, and young filmmakers. Such practices prioritize transactions of favors within the industry among already established and influential entities, at the expense of fostering genuine diversity and opportunity. </p>



<p>As we undertake a comprehensive examination of the Torino Film Lab and its practices spanning the last two decades, we invite anyone with information about this organization to <a href="https://filmindustrywatch.org/contact/" target="_blank" rel="noreferrer noopener">please reach out and contact us</a>.</p>



<h2 class="wp-block-heading"><strong><span style="text-decoration: underline;">Further reading:</span></strong></h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><a href="https://filmindustrywatch.org/case-study-power-influence-control-over-the-european-industry/"><img fetchpriority="high" decoding="async" width="950" height="1024" data-id="4882" src="https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-950x1024.jpg" alt="" class="wp-image-4882" srcset="https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-950x1024.jpg 950w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-278x300.jpg 278w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-768x828.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-1425x1536.jpg 1425w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-1900x2048.jpg 1900w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Chart-3-1568x1690.jpg 1568w" sizes="(max-width: 950px) 100vw, 950px" /></a></figure>
</figure>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><a href="https://filmindustrywatch.org/case-study-power-influence-control-over-the-european-industry/"><img decoding="async" width="1024" height="555" data-id="4967" src="https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-1024x555.jpg" alt="" class="wp-image-4967" srcset="https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-1024x555.jpg 1024w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-300x163.jpg 300w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-768x416.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-1536x832.jpg 1536w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-2048x1110.jpg 2048w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-3-1568x850.jpg 1568w" sizes="(max-width: 1024px) 100vw, 1024px" /></a></figure>
</figure>



<h2 class="wp-block-heading"><span style="text-decoration: underline;">SOURCES:</span></h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><img decoding="async" width="1024" height="441" data-id="4907" src="https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook-1024x441.jpg" alt="" class="wp-image-4907" srcset="https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook-1024x441.jpg 1024w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook-300x129.jpg 300w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook-768x331.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook-1536x661.jpg 1536w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook-1568x675.jpg 1568w, https://filmindustrywatch.org/wp-content/uploads/2024/01/Facebook.jpg 1600w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
</figure>



<figure class="wp-block-embed is-type-wp-embed is-provider-isabelle-darras-collombat wp-block-embed-isabelle-darras-collombat"><div class="wp-block-embed__wrapper">
<blockquote class="wp-embedded-content" data-secret="az5QCTyzwr"><a href="https://isabellecollombat.com/scenarios/">Scénarios</a></blockquote><iframe class="wp-embedded-content" sandbox="allow-scripts" security="restricted"  title="&laquo;&nbsp;Scénarios&nbsp;&raquo; &#8212; Isabelle Darras Collombat" src="https://isabellecollombat.com/scenarios/embed/#?secret=N8iD9ucd6W#?secret=az5QCTyzwr" data-secret="az5QCTyzwr" width="600" height="338" frameborder="0" marginwidth="0" marginheight="0" scrolling="no"></iframe>
</div><figcaption class="wp-element-caption">https://isabellecollombat.com/scenarios/</figcaption></figure>



<p>At the Torino Film Lab website: <a href="https://www.torinofilmlab.it/people/653835/Isabelle-Collombat">https://www.torinofilmlab.it/people/653835/Isabelle-Collombat</a></p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="479" data-id="4898" src="https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL-1024x479.jpg" alt="" class="wp-image-4898" srcset="https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL-1024x479.jpg 1024w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL-300x140.jpg 300w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL-768x359.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL-1536x719.jpg 1536w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL-1568x734.jpg 1568w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombatTFL.jpg 1812w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
</figure>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><img loading="lazy" decoding="async" width="1024" height="747" data-id="4897" src="https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat-1024x747.jpg" alt="" class="wp-image-4897" srcset="https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat-1024x747.jpg 1024w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat-300x219.jpg 300w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat-768x560.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat-1536x1121.jpg 1536w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat-1568x1144.jpg 1568w, https://filmindustrywatch.org/wp-content/uploads/2024/01/isabellecollombat.jpg 1738w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
</figure>



<h2 class="wp-block-heading"><strong>Matthieu Darras Biography</strong></h2>



<p>Matthieu Darras is a central figure in European and international film, leading several high-profile initiatives in film development and consultancy. Known for founding the European Network of Young Cinema, NISI MASA, Darras currently directs influential programs such as First Cut Lab, Pop Up Film Residency, and Full Circle Lab. His roles with major film festivals, including Cannes Critics’ Week and the Venice Film Festival, have further solidified his position within established European film networks.</p>



<p>As the Artistic Director of Torino Film Lab (TFL), however, Darras’ leadership has faced scrutiny, with allegations of favoritism and nepotism casting doubt on the transparency and impartiality of TFL’s selection processes. His ongoing influence across these platforms has sparked industry-wide conversations about equity and inclusivity, particularly regarding the role of entrenched figures in shaping opportunities for new voices within European cinema.</p>
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style="background-color:#ee8e2d;width:25px;height:25px;margin:0;display:inline-block!important;opacity:1;float:left;font-size:32px!important;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;display:inline;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box;" onclick="heateorSssMoreSharingPopup(this, 'https://filmindustrywatch.org/tag/torino/feed/', 'Torino', '' )"><svg xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" viewBox="-.3 0 32 32" version="1.1" width="100%" height="100%" style="display:block;" xml:space="preserve"><g><path fill="#fff" d="M18 14V8h-4v6H8v4h6v6h4v-6h6v-4h-6z" fill-rule="evenodd"></path></g></svg></span></a></div><div class="heateorSssClear"></div></div><p>The post <a href="https://filmindustrywatch.org/torino-film-lab-family-ties-and-favoritism-during-matthieu-darras-tenure-as-the-artistic-director/">Torino Film Lab – Family Ties and Favoritism during Matthieu Darras’ tenure as the Artistic Director</a> first appeared on <a href="https://filmindustrywatch.org">Film Industry Watch</a>.</p>]]></content:encoded>
					
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