<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Italy - Film Industry Watch</title>
	<atom:link href="https://filmindustrywatch.org/tag/italy/feed/" rel="self" type="application/rss+xml" />
	<link>https://filmindustrywatch.org</link>
	<description>Exposing the shell games of the film industry - we won&#039;t let them hide.</description>
	<lastBuildDate>Fri, 07 Mar 2025 16:27:35 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>https://filmindustrywatch.org/wp-content/uploads/2025/03/Favicon.png</url>
	<title>Italy - Film Industry Watch</title>
	<link>https://filmindustrywatch.org</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Venice, Locarno programmers, Varicoloured distribution company possible conflict of interest</title>
		<link>https://filmindustrywatch.org/carla-vulpiani-enrico-vannucci-venice-locarno-programmers-varicoloured-distribution-company-conflict-of-interest/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=carla-vulpiani-enrico-vannucci-venice-locarno-programmers-varicoloured-distribution-company-conflict-of-interest</link>
					<comments>https://filmindustrywatch.org/carla-vulpiani-enrico-vannucci-venice-locarno-programmers-varicoloured-distribution-company-conflict-of-interest/#respond</comments>
		
		<dc:creator><![CDATA[Film Industry Watch]]></dc:creator>
		<pubDate>Sun, 17 Dec 2023 13:52:04 +0000</pubDate>
				<category><![CDATA[Alleged Conflict of Interest]]></category>
		<category><![CDATA[Community Posts]]></category>
		<category><![CDATA[Italy]]></category>
		<category><![CDATA[Locarno Film Festival]]></category>
		<category><![CDATA[Venice Film Festival]]></category>
		<guid isPermaLink="false">https://filmindustrywatch.org/?p=4397</guid>

					<description><![CDATA[<p>Carla Vulpiani, a programmer specializing in short films at the Venice Film Festival, and Enrico Vannucci, holding a similar role at the Locarno Film Festival, are both involved in running VariColoured, a company that promotes and sells short films. These two festivals are among the oldest and most prestigious in the world, having been established [&#8230;]</p>
<p>The post <a href="https://filmindustrywatch.org/carla-vulpiani-enrico-vannucci-venice-locarno-programmers-varicoloured-distribution-company-conflict-of-interest/">Venice, Locarno programmers, Varicoloured distribution company possible conflict of interest</a> first appeared on <a href="https://filmindustrywatch.org">Film Industry Watch</a>.</p>]]></description>
										<content:encoded><![CDATA[<p>Carla Vulpiani, a programmer specializing in short films at the Venice Film Festival, and Enrico Vannucci, holding a similar role at the Locarno Film Festival, are both involved in running VariColoured, a company that promotes and sells short films. These two festivals are among the oldest and most prestigious in the world, having been established in 1932 and 1946, respectively. </p>



<p>The potential conflict of interest arises from the fact that, over recent years, several films represented by VariColoured have been selected to premiere at these festivals. Below is a list of eight films represented by the company, which premiered at one of these festivals. This situation raises concerns because Vulpiani and Vannucci, in their roles as festival programmers, are in a position to influence the selection of films at these festivals and have potential for financial gain from these selections. </p>



<ul class="wp-block-list">
<li>IN QUANTO A NOI &#8211; <strong><span style="text-decoration: underline;">Premiered at Venice 2022</span></strong></li>



<li>FALL OF THE IBIS KING &#8211; <strong><span style="text-decoration: underline;">Premiered at Venice 2021</span></strong></li>



<li>MIEGAMASIS RAJONAS &#8211;  <strong><span style="text-decoration: underline;">Premiered at Venice 2020</span></strong></li>



<li>EYES ON THE ROAD &#8211; <strong><span style="text-decoration: underline;">Premiered at Venice 2019</span></strong></li>



<li>FIEBRE AUSTRAL &#8211; <strong><span style="text-decoration: underline;">Premiered at </span></strong><span style="text-decoration: underline;"><strong>Venice 2019</strong></span></li>



<li>KAUKAZAS &#8211;  <strong><span style="text-decoration: underline;">Premiered at Locarno 2018</span></strong></li>



<li>PIRITIS &#8211;  <strong><span style="text-decoration: underline;">Premiered at Venice 2017</span></strong></li>
</ul>



<p>Other films that the company represents premiered at major festivals, where we can assume Vulpiani and Vannucci have acquaintances. Their dual roles as both festival selectors and operators of a film representation and sales agency create a situation where their personal or business interests could improperly influence the decision-making process at these renowned festivals. This overlap of interests may compromise the perceived fairness and integrity of the film selection process, as it suggests that films associated with their company might receive preferential treatment. Nothing illegal &#8211; just unethical.</p>



<p><strong>IMPORTANT NOTE:</strong> Please note that this article is not meant to be an ad hominem attack on any specific person. The individuals mentioned and their positions in various organizations are used as examples for the way that the film industry operates. <strong>The positions, roles and professional relationship between individuals are public information. Sources are provided throughout the website. If you would like to report any inaccuracy please do not hesitate to <a href="https://filmindustrywatch.org/contact/">contact us</a>. </strong>Our aim is to improve and democratize the film industry by analyzing the way its institutions are set-up. In order to do so, we must list those organizations and the people who work for them or with them, and their relationship with each other. Also, to be clear, there are certainly much bigger fish in the swamp than the individuals listed below but we publish information which is available to us and which was brough to our attention. If you can disclose further information about other individuals or organizations, <a href="https://filmindustrywatch.org/contact/">please contact us.</a></p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><img fetchpriority="high" decoding="async" width="1024" height="466" data-id="4405" src="https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-1024x466.jpg" alt="" class="wp-image-4405" srcset="https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-1024x466.jpg 1024w, https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-300x136.jpg 300w, https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-768x349.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-1536x698.jpg 1536w, https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-2048x931.jpg 2048w, https://filmindustrywatch.org/wp-content/uploads/2023/12/Varicoloured-1568x713.jpg 1568w" sizes="(max-width: 1024px) 100vw, 1024px" /></figure>
</figure>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex">
<figure class="wp-block-image size-large"><a href="https://filmindustrywatch.org/case-study-power-influence-control-over-the-european-industry/"><img decoding="async" width="1024" height="555" data-id="4981" src="https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-1024x555.jpg" alt="" class="wp-image-4981" srcset="https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-1024x555.jpg 1024w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-300x163.jpg 300w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-768x416.jpg 768w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-1536x832.jpg 1536w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-2048x1110.jpg 2048w, https://filmindustrywatch.org/wp-content/uploads/2024/01/ColorPyramid-8-1568x850.jpg 1568w" sizes="(max-width: 1024px) 100vw, 1024px" /></a></figure>
</figure>



<h2 class="wp-block-heading"><strong><span style="text-decoration: underline;">SOURCES:</span></strong></h2>



<p><a href="https://varicoloured.eu/portfolio/in-quanto-a-noi_s">https://varicoloured.eu/portfolio/in-quanto-a-noi_s</a> &#8211; <strong><span style="text-decoration: underline;">Premiered at Venice 2022</span></strong></p>



<p><a href="https://varicoloured.eu/portfolio/fall-of-the-ibis-king-mikai-geronimo-josh-ocaoimh-ireland-2021/" target="_blank" rel="noreferrer noopener">https://varicoloured.eu/portfolio/fall-of-the-ibis-king-mikai-geronimo-josh-ocaoimh-ireland-2021/</a> &#8211;  <strong><span style="text-decoration: underline;">Premiered at Venice 2021</span></strong><br><br><a href="https://varicoloured.eu/portfolio/miegamasisrajonas_s/" target="_blank" rel="noreferrer noopener">https://varicoloured.eu/portfolio/miegamasisrajonas_s/</a> &#8211;  <strong><span style="text-decoration: underline;">Premiered at Venice 2020</span></strong></p>



<p><a href="https://varicoloured.eu/portfolio/eotr_s/">https://varicoloured.eu/portfolio/eotr_s/</a> &#8211;  <strong><span style="text-decoration: underline;">Premiered at Venice 2019</span></strong></p>



<p><a href="https://varicoloured.eu/portfolio/fiebreaustral_s/">https://varicoloured.eu/portfolio/fiebreaustral_s/</a> &#8211;  <strong><span style="text-decoration: underline;">Premiered at </span></strong><span style="text-decoration: underline;"><strong>Venice 2019</strong></span></p>



<p><a href="https://varicoloured.eu/portfolio/pirtis_s/">https://varicoloured.eu/portfolio/pirtis_s/</a> &#8211;  <strong><span style="text-decoration: underline;">Premiered at Venice 2017</span></strong></p>



<p><a href="https://varicoloured.eu/portfolio/kaukazas_s/">https://varicoloured.eu/portfolio/kaukazas_s/</a> &#8211;  <strong><span style="text-decoration: underline;">Premiered at Locarno 2018</span></strong></p>



<p><a href="https://www.labiennale.org/en/cinema/2022/program-cinema-2022-pass-holders/quanto-noi-2022-09-08-11-00">https://www.labiennale.org/en/cinema/2022/program-cinema-2022-pass-holders/quanto-noi-2022-09-08-11-00</a></p>



<p><a href="https://www.labiennale.org/en/cinema/2021/lineup/orizzonti/fall-ibis-king">https://www.labiennale.org/en/cinema/2021/lineup/orizzonti/fall-ibis-king</a></p>



<p><a href="https://www.labiennale.org/en/cinema/2020/program-cinema-2020-public/miegamasis-rajonas-places-2020-09-11-19-30">https://www.labiennale.org/en/cinema/2020/program-cinema-2020-public/miegamasis-rajonas-places-2020-09-11-19-30</a></p>



<p><a href="https://www.labiennale.org/en/cinema/2019/orizzonti/fiebre-austral-austral-fever">https://www.labiennale.org/en/cinema/2019/orizzonti/fiebre-austral-austral-fever</a></p>



<p><a href="https://www.locarnofestival.ch/pro/projects/match-me/MatchMe-2021/Klementina-Remeikaite.html">https://www.locarnofestival.ch/pro/projects/match-me/MatchMe-2021/Klementina-Remeikaite.html</a> &#8211; &#8220;Since then the company has created and produced over 10 short films, including Laurynas Bareisa’s shorts&nbsp;<em>Dummy&nbsp;</em>(Berlinale Shorts 2020)&nbsp;<em>Kaukazas</em>&nbsp;(Locarno 2018) and&nbsp;<em>By the pool</em>&nbsp;(Venice; Best Short Film at Lithuanian Film Awards 2017) as well as Vytautas Katkus’ short film&nbsp;<em>Places</em>&nbsp;(Venice, Orizzonti 2020).&#8221;</p>



<p><a href="https://www.semainedelacritique.com/en/edition/2020/movie/marlon-brando">https://www.semainedelacritique.com/en/edition/2020/movie/marlon-brando</a></p>



<p><a href="https://iffr.com/en/persons/ibrahim-karatay">https://iffr.com/en/persons/ibrahim-karatay</a></p>



<p></p>



<p></p>
<div class='heateor_sss_sharing_container heateor_sss_vertical_sharing heateor_sss_bottom_sharing' style='width:29px;left: -10px;top: 100px;-webkit-box-shadow:none;box-shadow:none;' data-heateor-sss-href='https://filmindustrywatch.org/tag/italy/feed/'><div class="heateor_sss_sharing_ul"><a aria-label="Copy Link" class="heateor_sss_button_copy_link" title="Copy Link" rel="noopener" href="https://filmindustrywatch.org/tag/italy/feed/" onclick="event.preventDefault()" style="font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle"><span class="heateor_sss_svg heateor_sss_s__default heateor_sss_s_copy_link" style="background-color:#ffc112;width:25px;height:25px;margin:0;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box"><svg style="display:block;" focusable="false" aria-hidden="true" xmlns="http://www.w3.org/2000/svg" width="100%" height="100%" viewBox="-4 -4 40 40"><path fill="#fff" d="M24.412 21.177c0-.36-.126-.665-.377-.917l-2.804-2.804a1.235 1.235 0 0 0-.913-.378c-.377 0-.7.144-.97.43.026.028.11.11.255.25.144.14.24.236.29.29s.117.14.2.256c.087.117.146.232.177.344.03.112.046.236.046.37 0 .36-.126.666-.377.918a1.25 1.25 0 0 1-.918.377 1.4 1.4 0 0 1-.373-.047 1.062 1.062 0 0 1-.345-.175 2.268 2.268 0 0 1-.256-.2 6.815 6.815 0 0 1-.29-.29c-.14-.142-.223-.23-.25-.254-.297.28-.445.607-.445.984 0 .36.126.664.377.916l2.778 2.79c.243.243.548.364.917.364.36 0 .665-.118.917-.35l1.982-1.97c.252-.25.378-.55.378-.9zm-9.477-9.504c0-.36-.126-.665-.377-.917l-2.777-2.79a1.235 1.235 0 0 0-.913-.378c-.35 0-.656.12-.917.364L7.967 9.92c-.254.252-.38.553-.38.903 0 .36.126.665.38.917l2.802 2.804c.242.243.547.364.916.364.377 0 .7-.14.97-.418-.026-.027-.11-.11-.255-.25s-.24-.235-.29-.29a2.675 2.675 0 0 1-.2-.255 1.052 1.052 0 0 1-.176-.344 1.396 1.396 0 0 1-.047-.37c0-.36.126-.662.377-.914.252-.252.557-.377.917-.377.136 0 .26.015.37.046.114.03.23.09.346.175.117.085.202.153.256.2.054.05.15.148.29.29.14.146.222.23.25.258.294-.278.442-.606.442-.983zM27 21.177c0 1.078-.382 1.99-1.146 2.736l-1.982 1.968c-.745.75-1.658 1.12-2.736 1.12-1.087 0-2.004-.38-2.75-1.143l-2.777-2.79c-.75-.747-1.12-1.66-1.12-2.737 0-1.106.392-2.046 1.183-2.818l-1.186-1.185c-.774.79-1.708 1.186-2.805 1.186-1.078 0-1.995-.376-2.75-1.13l-2.803-2.81C5.377 12.82 5 11.903 5 10.826c0-1.08.382-1.993 1.146-2.738L8.128 6.12C8.873 5.372 9.785 5 10.864 5c1.087 0 2.004.382 2.75 1.146l2.777 2.79c.75.747 1.12 1.66 1.12 2.737 0 1.105-.392 2.045-1.183 2.817l1.186 1.186c.774-.79 1.708-1.186 2.805-1.186 1.078 0 1.995.377 2.75 1.132l2.804 2.804c.754.755 1.13 1.672 1.13 2.75z"/></svg></span></a><a aria-label="Facebook" class="heateor_sss_facebook" href="https://www.facebook.com/sharer/sharer.php?u=https%3A%2F%2Ffilmindustrywatch.org%2Ftag%2Fitaly%2Ffeed%2F" title="Facebook" rel="nofollow noopener" target="_blank" style="font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle"><span class="heateor_sss_svg" style="background-color:#0765FE;width:25px;height:25px;margin:0;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box"><svg style="display:block;" focusable="false" aria-hidden="true" xmlns="http://www.w3.org/2000/svg" width="100%" height="100%" viewBox="0 0 32 32"><path fill="#fff" d="M28 16c0-6.627-5.373-12-12-12S4 9.373 4 16c0 5.628 3.875 10.35 9.101 11.647v-7.98h-2.474V16H13.1v-1.58c0-4.085 1.849-5.978 5.859-5.978.76 0 2.072.15 2.608.298v3.325c-.283-.03-.775-.045-1.386-.045-1.967 0-2.728.745-2.728 2.683V16h3.92l-.673 3.667h-3.247v8.245C23.395 27.195 28 22.135 28 16Z"></path></svg></span></a><a aria-label="X" class="heateor_sss_button_x" href="https://twitter.com/intent/tweet?text=Italy&url=https%3A%2F%2Ffilmindustrywatch.org%2Ftag%2Fitaly%2Ffeed%2F" title="X" rel="nofollow noopener" target="_blank" style="font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle"><span class="heateor_sss_svg heateor_sss_s__default heateor_sss_s_x" style="background-color:#2a2a2a;width:25px;height:25px;margin:0;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box"><svg width="100%" height="100%" style="display:block;" focusable="false" aria-hidden="true" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 32 32"><path fill="#fff" d="M21.751 7h3.067l-6.7 7.658L26 25.078h-6.172l-4.833-6.32-5.531 6.32h-3.07l7.167-8.19L6 7h6.328l4.37 5.777L21.75 7Zm-1.076 16.242h1.7L11.404 8.74H9.58l11.094 14.503Z"></path></svg></span></a><a aria-label="Whatsapp" class="heateor_sss_whatsapp" href="https://api.whatsapp.com/send?text=Italy%20https%3A%2F%2Ffilmindustrywatch.org%2Ftag%2Fitaly%2Ffeed%2F" title="Whatsapp" rel="nofollow noopener" target="_blank" style="font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle"><span class="heateor_sss_svg" style="background-color:#55eb4c;width:25px;height:25px;margin:0;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box"><svg style="display:block;" focusable="false" aria-hidden="true" xmlns="http://www.w3.org/2000/svg" width="100%" height="100%" viewBox="-6 -5 40 40"><path class="heateor_sss_svg_stroke heateor_sss_no_fill" stroke="#fff" stroke-width="2" fill="none" d="M 11.579798566743314 24.396926207859085 A 10 10 0 1 0 6.808479557110079 20.73576436351046"></path><path d="M 7 19 l -1 6 l 6 -1" class="heateor_sss_no_fill heateor_sss_svg_stroke" stroke="#fff" stroke-width="2" fill="none"></path><path d="M 10 10 q -1 8 8 11 c 5 -1 0 -6 -1 -3 q -4 -3 -5 -5 c 4 -2 -1 -5 -1 -4" fill="#fff"></path></svg></span></a><a aria-label="Linkedin" class="heateor_sss_button_linkedin" href="https://www.linkedin.com/sharing/share-offsite/?url=https%3A%2F%2Ffilmindustrywatch.org%2Ftag%2Fitaly%2Ffeed%2F" title="Linkedin" rel="nofollow noopener" target="_blank" style="font-size:32px!important;box-shadow:none;display:inline-block;vertical-align:middle"><span class="heateor_sss_svg heateor_sss_s__default heateor_sss_s_linkedin" style="background-color:#0077b5;width:25px;height:25px;margin:0;display:inline-block;opacity:1;float:left;font-size:32px;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box"><svg style="display:block;" focusable="false" aria-hidden="true" xmlns="http://www.w3.org/2000/svg" width="100%" height="100%" viewBox="0 0 32 32"><path d="M6.227 12.61h4.19v13.48h-4.19V12.61zm2.095-6.7a2.43 2.43 0 0 1 0 4.86c-1.344 0-2.428-1.09-2.428-2.43s1.084-2.43 2.428-2.43m4.72 6.7h4.02v1.84h.058c.56-1.058 1.927-2.176 3.965-2.176 4.238 0 5.02 2.792 5.02 6.42v7.395h-4.183v-6.56c0-1.564-.03-3.574-2.178-3.574-2.18 0-2.514 1.7-2.514 3.46v6.668h-4.187V12.61z" fill="#fff"></path></svg></span></a><a class="heateor_sss_more" aria-label="More" title="More" rel="nofollow noopener" style="font-size: 32px!important;border:0;box-shadow:none;display:inline-block!important;font-size:16px;padding:0 4px;vertical-align: middle;display:inline;" href="https://filmindustrywatch.org/tag/italy/feed/" onclick="event.preventDefault()"><span class="heateor_sss_svg" style="background-color:#ee8e2d;width:25px;height:25px;margin:0;display:inline-block!important;opacity:1;float:left;font-size:32px!important;box-shadow:none;display:inline-block;font-size:16px;padding:0 4px;vertical-align:middle;display:inline;background-repeat:repeat;overflow:hidden;padding:0;cursor:pointer;box-sizing:content-box;" onclick="heateorSssMoreSharingPopup(this, 'https://filmindustrywatch.org/tag/italy/feed/', 'Italy', '' )"><svg xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" viewBox="-.3 0 32 32" version="1.1" width="100%" height="100%" style="display:block;" xml:space="preserve"><g><path fill="#fff" d="M18 14V8h-4v6H8v4h6v6h4v-6h6v-4h-6z" fill-rule="evenodd"></path></g></svg></span></a></div><div class="heateorSssClear"></div></div><p>The post <a href="https://filmindustrywatch.org/carla-vulpiani-enrico-vannucci-venice-locarno-programmers-varicoloured-distribution-company-conflict-of-interest/">Venice, Locarno programmers, Varicoloured distribution company possible conflict of interest</a> first appeared on <a href="https://filmindustrywatch.org">Film Industry Watch</a>.</p>]]></content:encoded>
					
					<wfw:commentRss>https://filmindustrywatch.org/carla-vulpiani-enrico-vannucci-venice-locarno-programmers-varicoloured-distribution-company-conflict-of-interest/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
