CASE STUDY – Producer & Festival Decision Maker – Dominique Welinski’s multiple roles in the industry

Categorized as Alleged Conflict of Interest, Community Posts Tagged , , ,

Dominique Welinski maintains a multitude of influential roles within the film industry, generating a potential conflict of interest.

She holds the dual position of curator and producer for the Factory program at Director’s Fortnight, a constituent part of the Cannes Film Festival. Beyond this, she serves as a consultant for the festival’s L’Atelier and Residency programs. Parallel to these roles, Welinski acts as the producer for Yona Rozenkier, an Israeli director. Considering her position at the Cannes Film Festival, it can be understood that her she had great influence in incorporating Rozenkier’s films and projects into the festival’s roster. Examples include Rozenkier’s short film ‘Butterflies’ forming part of the Official Selection in 2019 while his subsequent short film ‘The Sign’ showcased during the Cannes Directors’ Fortnight the very same year. His feature film ‘Decompression’ (also known as ‘The Dive’) featured within the L’Atelier program in 2017, which Welinski advises on. Moreover, Welinski’s reach extends to the role of a “Decision Maker” at the Torino Film Lab, where Rozenkier’s project ‘Siberia’ was included in the 2020 program. The Torino Film Lab, as a whole, operates as a revolving door, where on one year producers act as “Decision Makers” and the next year, their projects are selected for participation, and where the Artistic Director had invited his sister to participate, twice.

Questions surface when a producer, such as Welinski, is strategically positioned to directly shape the selection of films at a festival and utilizes that sway to advocate the works of a specific director with whom they are professionally associated. This scenario could be interpreted as a conflict of interest, potentially disadvantaging other filmmakers who lack analogous connections within the festival’s administration and broader film festival community.

Welinski’s influence is wide, extending to, among many others, the Jerusalem Film Festival, which she is affiliated with, where Rozenkier’s films have been screened and awarded. She also lends her expertise as an adviser to the Jerusalem Sam Spiegel Film Lab, where Rozenkier’s project has been hosted. Given that the Cannes Film Festival holds the mantle as the world’s premier film festival, Welinski’s power and position are widely acknowledged within the industry. Her ability to leverage this authority to advance her professional and financial interests has led many industry professionals to seek her endorsement and reciprocate favors within their respective organizational roles.

Hence, allegedly, Dominique Welinski represents an example of how power dynamics within the film industry can be exploited to, allegedly, advance personal agendas and financial objectives. The potential repercussions of such alleged dynamics deserve comprehensive scrutiny and ethical consideration. Please note the similarity with the alleged case of Producer Mélissa Malinbaum, who produced a film selected for Cannes short film competition, where she serves as a committee member. For further reading, see this case study or our latest post about the European Film Industry being set up like a syndicate, here.

IMPORTANT NOTE: Please note that this article is not meant to be an ad hominem attack on any specific person. The individuals mentioned and their positions in various organizations are used as examples for the way that the film industry operates. The positions, roles and professional relationship between individuals are public information. Sources are provided throughout the website. If you would like to report any inaccuracy please do not hesitate to contact usOur aim is to improve and democratize the film industry by analyzing the way its institutions are set-up. In order to do so, we must list those organizations and the people who work for them or with them, and their relationship with each other. Also, to be clear, there are certainly much bigger fish in the swamp than the individuals listed below but we publish information which is available to us and which was brough to our attention. If you can disclose further information about other individuals or organizations, please contact us.

SOURCES: – Listed as a Producer in Yona’s films.

Dominique listed as a “Decision Maker” on the Torino Film Lab website, which details her roles at the Cannes Film Festival:

IMDB page lists Dominique as a Producer on Yona’s films:

Yona’s short ‘Parparim’ at the Cannes Film Festival:

Yona’s feature project Decompression (The Dive) took part at Cannes’ L’Atelier. Dominique is part of the committee that decides which films will participate in the program.

Yona’s film The Sign takes part of Cannes’ Factory. The program is produced by Dominique.

Yona’s feature ‘Siberia’ takes part of the Torino Film Lab, where Dominique is a ‘Decision Maker’.

Our organization is dedicated to unveiling the true decision-making processes and power dynamics within the film industry. The chart below provides a comprehensive summary of these elements. Our goal is to democratize access and provide talented, emerging young filmmakers with the opportunities they rightfully deserve to succeed in the industry.

Feedback and Corrections
If you believe your or company’s name was listed on this website unjustly, please CONTACT US.

With unwavering support from our community, Film Industry Watch proudly announces the creation of a $25,000 Whistleblower Fund. This pivotal initiative is devoted to identifying and exposing nepotism and misconduct in the film industry. Our aim is to cultivate an atmosphere of transparency and accountability, ensuring an equitable and principled environment for all industry members. We encourage anyone aware of criminal activities or misconduct to reach out to us confidentially. Rest assured, your identity will be protected. Reports leading to articles posted on this website, significant organizational changes or legal proceedings will be eligible for a financial reward for between $100 to $5000 for each report.

We hold a special focus on Film Festivals, Screenwriting Labs, various awards, and public Film Funds. It’s important to remind our readers that these entities are predominantly supported by public funding, which necessitates a standard of fairness and transparency in their operations.

Stand with us in our quest for integrity in the film industry – your voice matters.

Leave a comment

Your email address will not be published. Required fields are marked *